Entertainment
10 Bollywood Movies With The Best Ending Ever That We Still Remember
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Life doesn’t end when a film closes. The story proceeds; it’s just our edge of vision that closes. The absolute best film endings settle a “preceding” and summon a feeling of “after”. The determination can be a peak, a wind, a misfortune, a tune, a joyfully ever after, quiet after the tempest, another stage – a summit scene that gives the watcher a feeling to leave the film lobby with. We like to leave with solid emotions: trust, stun, awfulness, bliss. Yet, different movies keep you thinking by finishing just in the soul, or by finishing without wrapping up.
1. Devdas (2002)
It later got chic to abhor on Sanjay Leela Bhansali’s Shah Rukh Khan as the lead role however recollecting the pin-drop quietness in the corridor when a wedded Paro runs – surrendering any similarity to tastefulness and respect – towards her chateau’s moderate closing entryways. She needs to arrive at a withering Devdas, whose last rituals are reflected in a frantically excellent topic. The way of Paro hurling herself against the entryways and “Deva” breathing his last: that is the sound we go out to see the films for.
2. Rang De Basanti (2006)
It’s the disappointment of a whole age that a furious, and entrancing film like Rang De Basanti can’t exist in India today. Kicking the bucket by shots at the All India Radio Station, at that point, is both sensational and fitting – you murder a lawmaker, you bite the dust in a space where voices matter. What’s more, Rang De Basanti did Rumi’s “past good and bad, there’s a field, I will meet you there” before Rockstar.
3. Mumbai Meri Jaan (2008)
Nishikanth Kamath’s Mumbai Meri Jaan – a multi-account preview of the city fixated on the 2006 train bombings – closes with Mohammed Rafi’s lively voice “Zara Hatke, Zara bachke, yeh hai Mumbai meri Jaan”. Yet, that is only one of two masterstrokes. This is gone before by a two-minute quietness, both in reel and constant, to stamp multi week of an assault that tore through the help of the city. To see Mumbai at a stop is to see the film stop and consider all that it implies.
4. Luck by Chance (2009)
Zoya Akhtar’s first and best film is around two industry untouchables toward the start of long however desolate vocations. Following some savvy guidance from a genius, Vikram (Farhan Akhtar), another film star, attempts to make sure about his cheerfully ever after with his ex, Sona (Konkana Sen Sharma), in the last couple of scenes. However, she leaves, and out of nowhere, we understand that the film was most likely about her from the start. It closes with a meeting of Sona, presently a TV star, where she thinks about her excursion. “Somebody once revealed to me you pick your victories and disappointments in this industry,” she proceeds, while we see her flagging down a taxi. “Presently I comprehend what that implies,” finishes up her voiceover, a monster accumulating of Vikram retreating out of sight.
5. Udaan (2010)
This second has just been expounded on in our decade-best scenes list, yet insufficient can be said – both in the setting of the story and in peculiarity. A high school child runs from his injurious dad and surpasses him: an amazing arrival of pressing factor after their account arrives at the limit. The breakaway is so strict and physical and basic – a run, which is an immediate proportion of speed, strength, and force.
6. Ship of Theseus (2012)
There’s a particular feeling of despairing about the way chief Anand Gandhi meshes reasoning into the film, or the other way around, in his full-length debut. This is generally apparent in the last scene, where Plato and power talk through visuals inside visuals. The strings of the three heroes – an Egyptian picture taker, a Jain priest, and a stockbroker – cross at a humanities gallery. They are three of eight organ beneficiaries from a late contributor whose cavern investigating film is being screened for them.
The lights go out, the projector wakes up, and all the distinctive “parts” of the giver watch their entire – his shadow – investigate the internal organs of Earth. However, the camera is on them, in a greater number of ways than one. The strings of the foundation score rise and the edge of a crowd of people moved by pictures on a screen should be trailed by the name – the personality – of this film.
7. Masaan (2015)
Masaan closes with a start. Devi (Richa Chadda) and Deepak (Vicky Kaushal), damaged heroes of isolated stories, meet on their way to the Sangam: the “meeting point” of two waterways and a legendary third (Sanjay Mishra’s story). Not at all like most multi-story films, this is not a symbolic string tying second. It seems like Deepak and Devi were bound to experience what they did – embarrassment, tragedy – just with the goal that their ways cross. The actual scene is delicate: They’re hanging tight for the boat, and Deepak sees Devi sobbing at a lower step. He unobtrusively puts a container of water close to her before the boat shows up. At the point when they make a discussion, the boat is now on its way. The camera dish to the sun in the skyline – the sun is setting; however, it’s rising. The tune Bhor (“sunrise”) dominates.
8. Mukti Bhawan (2016)
Shubhashish Bhutiani’s presentation film says a ton regarding the passing, conclusion, and familial hatred. Rajiv (Adil Hussain), who hesitantly satisfies his debilitated dad Daya’s (Lalit Behl) wishes of looking for salvation in Varanasi, spends the entire film conflicted between organizing a farewell and dodging a much obliged. It’s the grown-up child who achieves salvation during the last snapshots of Mukti Bhawan. In a whole take, we see Rajiv bearing his dad’s body to the memorial service fire – battling through the tight bylanes that appear to broaden to oblige the carcasses that go through them. He begins to separate since that is the thing that he believes he should do, before his girl grasps his hands, asking him to move and commend a day-to-day existence instead of grieving a passing. Adil Hussain does something extraordinary for himself right now: Rajiv looks liable for feeling alleviated, and diminished for at last feeling like to a greater degree a dad and spouse than a child.
9. A Death in the Gunj (2017)
A hesitant man slaughters himself toward the finish of Konkana Sen Sharma’s A Death in the Gunj, yet the type of the film – a family gettogether, a period setting, hidden pressures, a worker – intentionally develops it like a homicide. It’s a shocking second that includes a rifle and a motivated Vikrant Massey. What’s more, that Morricone-style soundtrack. The shot of blood dribbling down a tree trunk. What’s more, the good to beat all cake: The opening-shutting scene, of the apparition of the quiet man in the vehicle, with his body in the storage compartment. The herring was continually going to be red in shading.
10. Kaamyaab (2020)
Sanjay Mishra is expressively suitable as Sudheer, a veteran Bollywood additional pushing for a record 500th job. However, the last scene of Hardik Mehta’s Kaamyaab is its best – an enthusiastic high and profound low. Sudheer is roped in as the “filler” to perform for a school assembly room while everybody sits tight for the main visitor, a genius. Sudheer acts his heart out, hurling himself around the stage, establishing acclaimed film scenes.
He proceeds – because he knows nothing else, and because this is his 500th job – even as everybody’s look turns towards the hotshot strolling in. The blinds shutting on an elderly person destined to be an awkward extra person wheel in any event, when the cameras aren’t moving is the pith of Kaamyaab. His girl, practically repelled, watches from the crowd in shock. She, at last, comprehends her dad, the one who has spent a lifetime making sure to be failed to remember.
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Entertainment
Ibrahim Ali Khan’s Latest Comment Goes Viral On Rumored Girlfriend Palak Tiwari’s Photos
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Ibrahim Ali Khan is actor Saif Ali Khan and Amrita Singh’s son, he is one of the popular GenZ Bollywood celebrity kids who is known for his charming personality and handsome looks. There are rumors that Saif’s eldest son is dating actress Shweta Tiwari’s daughter Palak Tiwari. Their dating speculation started after they had been spotted together multiple times in the city. Now, both are grabbing attention when Ibrahim Ali Khan reacted to Palak Tiwari’s recent photos on social media airing their rumored relationship.
Ibrahim’s adorable reaction to a picture of Palak is making headlines
Ibrahim Ali Khan seems to be smitten by Palak Tiwari’s recent photos. The daughter of Shweta Tiwari has a huge number of followers on social media and she recently uploaded some gorgeous monsoon photographs. Palak Tiwari captivated her followers with a string of images dressed in a green sweatshirt and grey pants, with open hair. Ibrahim gave a cute response to the photo inclining towards their alleged romance.
Ibrahim Ali Khan gave a priceless reaction to Palak Tiwari’s latest pictures
Palak Tiwari took to her Instagram account and posted the images giving different poses to the camera. The images show her enjoying the weather from a balcony.
Sharing the pictures, she wrote,
“MY USPA MONSOON.”
Her rumored boyfriend, Ibrahim Ali Khan liked her post and commented with a fire heart sticker, “Looking Good”. Palak replied with an emotional face emoji to his comment.
A while ago, a video circulated where Ibrahim was seen leaving his house wearing a black T-shirt and Palak was also seen leaving his house wearing a black outfit.
Here is the post
Saif Ali Khan on his son’s dating rumors
Saif once opened up about his son’s dating rumors in an episode of Karan Johar’s Koffee With Karan. The actor said,
“My criteria doesn’t matter. Nobody is listening. Even though he does ask for some advice. Single, I’d say. The lady should be single”
On the work front, Ibrahim is all set to make his Bollywood debut with the upcoming film Sarzameen. The movie will also feature Kajol and Prithviraj Sukumaran. The movie is being directed by Boman Irani’s son, Kayoze Irani, and it is produced by Karan Johar under the banner of his production house, Dharma Productions.
Do you think Ibrahim and Palak are dating? Let us know in the comments.
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Salman Khan is a prominent figure in Bollywood for almost forty years now. Known for his blockbuster movies and philanthropic efforts, he remains a beloved figure among fans worldwide. The 58-year-old actor is well-known for his relationships with several well-known personalities in the industry. Despite reportedly dating Iulia Vantur, Salman has not yet married anyone. His father, Salim Khan, once mentioned Salman’s reservations about tying the knot.
Salim Khan once opened up on son, Salman Khan’s reluctance towards marriage
Recently, a resurfaced interview clip of Salim Khan, father of Bollywood superstar Salman Khan, has sparked discussion online. In the interview, Salim Khan candidly discusses his son’s perspective on marriage, shedding light on Salman’s hesitation despite his history of relationships with several prominent figures in the film industry.
According to Salim Khan, Salman possesses a straightforward and affectionate nature that draws him easily into relationships. However, he has expressed apprehensions about taking these relationships to the next level. A key concern for Salman is whether his prospective partner would possess the qualities necessary. These qualities pertain to managing the family just like his mother does.
Salim Khan’s exact words were,
“He easily gets into a relationship but lacks the courage to get married. He has a very simple nature and gets attracted easily. However, he fears whether the woman will be able to handle the family like his mother does.”
According to Salim Khan, Salman Khan seeks a traditional wife
The veteran screenwriter revealed that Salman, at 58 years old, desires a partner who embodies the same dedication and commitment as his mother, Salma Khan (formerly Sushila Charak).
According to Salim Khan, Salman seeks a woman who can cook for the family, assist with the children’s daily routines, and support their education. However, he acknowledged the challenge of finding such traditional qualities in contemporary times.
Here is the video
Know about Salman Khan’s first love
In a revealing interview shared on Reddit, Salman Khan’s brother, Arbaaz Khan, disclosed details about Salman’s early romantic experiences. According to Arbaaz, Shaheen Jaffrey was Salman’s first significant love interest, whom he met during his college days. Their relationship, which began with enthusiasm, eventually encountered difficulties before Salman’s entry into Bollywood.
Following his time with Shaheen, Salman’s affection turned towards Sangeeta Bijlani, whom he was on the verge of marrying. However, their wedding plans were unexpectedly called off at the eleventh hour.
After that as well the actor was in a relationship with multiple well-known personalities. One among them is none other than Aishwarya Rai. Their romance began on the sets of the film “Hum Dil De Chuke Sanam” and quickly became a topic of public fascination. However, the relationship eventually ended amid controversy and speculation, with both parties moving on to focus on their respective careers and personal lives.
Salman Khan’s opinion on his multiple failed relationships
In a recently surfaced old interview from Aap Ki Adalat, Salman Khan was seen reflecting on his past relationships and took responsibility for their failures. He acknowledged that all the women in his life were good, placing the blame on himself for each breakup.
Salman expressed that with each relationship, he initially thought the fault lay with the other person, but eventually, he realized he might be at fault. He admitted to sometimes doubting whether the fault lay with him or them.
As he got to know them better, he often confirmed that the fault was his. Salman attributed this realization partly to a fear that he might not be able to give them the life and happiness they envisioned. He concluded by expressing his belief that everyone involved has eventually found happiness in their own way.
What are your thoughts on Salim Khan’s revelation and Salman Khan’s love life? Do share your thoughts via the comments below.
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Acclaimed for her grace and talent, Kiara Advani has enthralled fans in the Indian cinema industry with her remarkable performances and indisputable appeal. Her acting prowess and bright smile have mesmerized millions of people during her career. In the Hindi and Telugu film industries, Kiara has done a lot, which makes her one of the most sought-after actresses. Her on-screen and off-screen romance with Sidharth Malhotra has won her even more admirers. Nevertheless, despite her charming persona, there are rumors about her less desirable side. Rumors say that she is not frequently seen behind her apparently perfect picture.
A recent incident has brought these whispers into focus, as a cabin crew member shared details about Kiara Advani’s behavior with the staff on a flight. It suggests that her off-screen demeanor might not always match her public persona.
Flight attendant recounts how Kiara Advani interacted with the crew
A recent scandal has exposed a different aspect of Kiara Advani’s typically flawless persona. It exposed a less endearing side to the actress. Recently, a member of the cabin crew stated in an interview with a YouTube channel that Kiara “has a lot of attitude,” which is why she and her coworkers did not have a positive experience with her.
The staff recounts how Kiara was served nuts and cashews by the staff. However, she angrily objected, asking them to summon her assistant so he could give her the cashews instead.
A netizen also shared an incident with Kiara at a cafe
Some also shared the story of their own interaction with the actress. Among them, one netizen shared more details on Kiara Advani’s alleged arrogant behavior in the comment section.
When a portion of the video was posted on Instagram, one user commented that she had previously met Kiara at a cafe. Even though the other woman saw that Kiara had departed, Kiara’s lip balm spilled and rolled to her feet as she was leaving. Afterwards, her helper arrived to retrieve the lip balm and, crazily, sanitized it right in front of her.
How have netizens reacted to the revelations?
When the video was posted on several social media sites, internet users were shocked to learn this new truth about Kiara Advani. Many netizens in the comment section also shared their views on Kiara’s alleged behavior. As one user commented, “Not so Pyara Advani,” while others call her an introvert. However, a lot of people defended the actress and said that there was nothing wrong with her behavior.
Meanwhile, on a professional front, Kiara will next appear in the S. Shankar-directed Telugu movie “Game Changer,” which also stars Ram Charan. Additionally, she will appear in “War 2,” an action-packed YRF Spy Universe sequel.
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